Monday, July 28, 2014

Storify archives -- July #nctechat and #titletalk

The past two Sundays I participated in some amazing professional Twitter chats. I wanted to post the tweets I saved from those chats as a way for others to see what worthwhile professional learning can happen in 140 characters or less.



The topic for last night's #titletalk was beginning school year routines.

Thursday, July 24, 2014

Changing the narrative -- one story, one workshop at a time

The impetus for this blog came as the result of taking a class with Dr. Cathy Fleischer at Eastern Michigan University called Writing, Public Policy, and Public Writing. This week, I had the privilege of attending a workshop called Telling Our Stories/Raising Our Voices: From Anecdote to Action. This workshop took the material from the aforementioned class and condensed it into two days. One would think that since I already took an entire semester-long version of the workshop that I wouldn't feel the need to attend, but one would be wrong. Condensing the material down into two days really helped remind me of all the important lessons I learned in the class, and also motivated me to keep working at changing the narrative of how teachers are portrayed and treated in this country.

Working with all those passionate, proactive voices in the room reinforced in me the need for educators to speak up and speak out against the ways teachers are framed by the public.

Since the material was condensed, I will give you a shortened, bullet-pointed version of the things I learned, or had reinforced in the past two days:
  • There is another narrative of education out there other than what the popular media is selling and we as educators need to work to have that narrative heard. 
  • Marshall Ganz developed the concept of public narrative -- the story of self, the story of us, the story of now -- as an impetus for advocacy (to see a perfect example of public narrative at play, watch Obama's 2004 speech at the Democratic National Convention).
  • Change starts with a single story (the story of self) and finds a way to relate that story to others (the story of us) in order to appeal an urgent need to the public (the story of now).
  • How we frame our issues to the public is important in how we are perceived -- taking an affirmative (rather than a negative) stance is always preferred.
  • Once you have an issue and know how to frame it, it's important that you cut that issue into something smaller and more manageable. For example, if your issue is the negative affects of standardized testing, which is a huge issue with many different angles, a way to cut the issue is to appeal to parents that it takes away too many weeks of valuable instructional time.
  • As hopeful and idealistic teachers, we want to tackle Big Topics, but starting small and gradually working toward making bigger change is a better strategy and more likely to lead to success. 


I shamefully admit I was really struggling with an issue I wanted to tackle in this workshop. I had a mind block that, "Well, I already did all of this in a semester-long class so I don't need to do it again," which was a really unproductive way of thinking since the last time I checked, the vitriol aimed at teachers these days is still going strong, if not getting worse. So I owe it to my profession to speak up and speak out.

Once I got passed that mind block and started to talk to my fellow workshop attendees, as well as a great conversation I had with our fearless leader, Cathy Fleischer, I decided that I wanted to tackle the topic of the need for administrators to see the importance of autonomous professional learning for teachers. In my role as social media coordinator at NCTE, I see this as an important issue because I know that so many teachers pay their own way to annual convention despite the fact that registration, transportation, and room and board is REALLY expensive on a teacher salary. But teachers pay those expenses because they know what a valuable experience it is to attend. I would like administrators to see why teacher-led PD as well as PD that teachers seek out on their own is much more valuable than district-mandated PD.

One of our tasks in this workshop (along with the class I took last year) was to create an "elevator speech." A 30-60 second quip about our issue and why it's important. Learning to be succinct can be a challenge when you're taking about a topic you are passionate about, so this was definitely a difficult but worthwhile exercise. This is what I came up with for my elevator pitch: 

An empowered, knowledgeable faculty leads to a student population that sees the value of education beyond the classroom. Part of the formula in empowering teachers is to not only give them autonomy in their classrooms, but in their professional learning as well. Rather than looking at professional development as an expense, what if we instead approached it as an investment? (1) The question many administrators might have then is, "What if we invest in these teachers and they leave?" My question to you however is "What if we don't and they stay?" (2)

Overall, the workshop was not only worthwhile but also encouraging to see so many educators who felt like they now have the tools to make their voices heard. As stated above, there is another narrative of education that deserves and NEEDS to be heard and we, the educators, need to tell it.


(1) Miller, Donalyn and Susan Kelley. Reading in the Wild: The Book Whisperer's Keys to Cultivating Lifelong Reading Habits. San Francisco: Jossey-Bass, 2014.
(2) I wish I could take credit for the cleverness of this last line, but I actually stole it from this tweet from Sharon Porter.

Thursday, July 17, 2014

My how times -- and learning -- has changed

On this, the penultimate day of our EMWP summer institute, we celebrated with a few authors who came to visit room 320 at the Eastern Michigan University Student Center. One of the authors who came to visit was Marquin Parks, teacher and author of the Wrinkles Wallace series. He was gracious enough to read us a snippet of book two of Wrinkles Wallace and what I was immediately struck by, was that he didn't pull out a binder of printed pages or even a laptop computer from which to read to us. Instead, he reached into his pocket and pulled out his smartphone. I'm still in awe of how the landscape of reading and learning has changed so drastically in the past five years. To know that the depth and breadth of human knowledge can now fit inside your pocket is both exciting, but also a huge responsibility -- one that teachers can't ignore, and should also utilize in their own classrooms.

This idea hit home even further when, as Marquin was reading, he stopped and said in mock annoyance, "Hey stop tweeting! I keep getting notifications while I'm reading and it's messing me up."
Marquin
Marquin reads to us from a draft of book two of Wrinkles Wallace... on his Smartphone

As we all laughed I started thinking how, despite its humor, this was also a really poignant moment at the same time. Marquin wasn't mad that we were tweeting because he thought we weren't paying attention. He was irritated because we WERE paying attention but due to our enthusiasm with wanting to share his wisdom with the world, his Twitter feed was blowing up and it was distracting him.

So the question is, how do we navigate those distractions while also honoring the value that these digital tools bring into our classrooms? It's an ever evolving process but one that we have to acknowledge. As a teacher, I understand that technology is a tool and not the curriculum and there are still ways to teach without it, but I also know that we need to meet students where they are, and where they are is on smartphones and tablet computers. I am shirking my responsibility as an educator if I don’t help guide students in living responsible digital lives. We should be helping them navigate this digital landscape, not setting them adrift on a ship all alone, left to their own.... wait for it... devices.

Wednesday, July 16, 2014

Thank you EMWP

I'm sitting here reading through the comments on my EMWP portfolio and trying very hard not to cry. I've never felt so empowered as a writer and as a human being as I do right now. I want to make sure I capture this feeling and transfer it to the feedback I give my own students. Thank you Bill Tucker, Shari Hales, and Erin Umpstead. You didn't just see my writing; you saw me.

The time I thought I couldn't...

My EMWP colleague, Erin Umpstead, wrote this amazing piece about how writing is like hula-hooping.

I have never been able to hula-hoop in my life. As a child I would put the object around my waist,
Erin's hula hoop
The hula hoop, it mocks me.
start moving my hips, and immediately it was on the ground. To help inspire her writing, Erin brought in her own hula-hoop to the summer institute for inspiration and it has remained in room 320, mocking me.

So as others in the summer institute were looking for writing inspiration, they would grab the hula hoop and go to town. I, however, looked at the object with great disdain and envied all my colleagues who could actually keep the hula hoop around their waist as they gyrated their hips.

But apparently a proper hula-hoop needs to be weighted. And it should come up to your belly-button as it rests on the ground and stands on end. These two things make all the difference and can change you from a hula-hooping failure (me) to a hula-hooping master.

At first I was dubious of this idea that weights and proper height could transform my hula-hooping ability (or lack thereof), but I decided to, in the spirit of the Writing Project, make myself vulnerable and give it a go.

And before I knew it...
Beth hula hooping
I WAS HULA-HOOPING!!!

I feel as if I must add a reason to Erin's piece for why writing is like hula-hooping and it's true of what I've experienced here at the summer institute...

...because even if you think you can't do it, you really can!! 

EMWP Demonstration Lesson: Plagiarism, Emulation, and Originality

For the Eastern Michigan Writing Project summer institute this year, participants created a demonstration lesson in pairs rather than as an individual. At first I was a bit dubious about this idea, thinking that I would prefer to work on my own, but it actually turned out to be a really enjoyable experience. Since my partner Michael and I had completed projects on similar topics in another graduate class we had taken together (his project was on plagiarism, mine was on emulation), we decided to put those two ideas together and create this demonstration on Plagiarism, Emulation, and Originality.

The lesson starts off by looking at the famous William Carlos Williams poem "This is Just to Say" and then asking participants to emulate this poem. We then go into sharing an example of an emulation I came up with -- except I only changed one word from the original Williams poem. Then we shared the next slide in which I've only changed two words, and so on. This leads to a rich discussion about "OK, when is it emulation and when is it plagiarism?"

From there, the discussion moves on to emulation and theft in other art forms such as visual art and music, and then we talk about how having students emulate other writers can help lead them into their own original creations.

It was a pleasure to present with my partner Michael and I hope we have the chance to do it again sometime, either at another EMWP meeting or at a conference.


Tuesday, July 15, 2014

You are enough.

The day I was tasked with assigning the daily writing prompt during my time at the Eastern Michigan Writing Project summer institute, I decided to read the picture book Extraordinary Jane by Hannah E. Harrison. The first time I read this book, I was so moved that I began to weep when I reached the last page. The message of Extraordinary Jane speaks to so many of us, and I think it speaks to all of the Writing Project participants. We compare themselves to others and feel like we don't belong among our brilliant colleagues. But we do belong. I do belong. And so after reading Extraordinary Jane to my colleagues, the writing prompt I chose was just three simple words:

You are enough. 

To talk back to that prompt, I decided to emulate the style of Harrison's text in her book, Extraordinary Jane.



*~*~*~*~*~*

Beth was ordinary
in a class of extraordinary writers.

She couldn't turn an everyday object
into a brilliant metaphor
like Bill
or weave a beautiful poem
like Lorena.

She didn't blow people's minds
like Michael
or make people laugh
like Amy.

Beth was just
Beth.

She tried to find her writing niche
but poetry was a struggle
crot essays didn't make sense
(how can you write an essay with no transitions?!)
op eds made her brain hurt
and then there was that disaster of a novel
she tried to write once.

Beth was just
Beth.

A solid, capable, all-around
writer.

And that was is enough.